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≡ Descargar Free Moth A Lew Griffin Mystery (Audible Audio Edition) James Sallis G Valmont Thomas Inc Blackstone Audio Books

Moth A Lew Griffin Mystery (Audible Audio Edition) James Sallis G Valmont Thomas Inc Blackstone Audio Books



Download As PDF : Moth A Lew Griffin Mystery (Audible Audio Edition) James Sallis G Valmont Thomas Inc Blackstone Audio Books

Download PDF  Moth A Lew Griffin Mystery (Audible Audio Edition) James Sallis G Valmont Thomas Inc Blackstone Audio Books

Lew Griffin has quit the detective business and withdrawn to the safety of his old home in New Orleans' Garden District, where he copes with his past by transforming it into fiction. But following the death of a close friend, he returns to the streets - not only the urban ones he has conquered, but also those of the rural South that he escaped long ago - to search for the runaway daughter he didn't know his friend had.

Griffin discovers that we rarely know anyone, even those closest to us. And he now finds that he must also face the two things he most fears memories of his parents and his own relationship with his now-vanished son.


Moth A Lew Griffin Mystery (Audible Audio Edition) James Sallis G Valmont Thomas Inc Blackstone Audio Books

While the first book in James Sallis's Lew Griffin series, The Long-Legged Fly, was essentially a compilation of stories during different decades in Lew's life, the second, Moth, focuses on the time immediately following the events at the end of the 1990 section of that first book (literally picking up right where the last line in Fly left off). Lew has realized that he's too old to be running the streets now and has quit as a private detective and is now a successful mystery author and college French instructor. After a close friend passes, he feels a responsibility to track down her runaway estranged daughter. But if the investigation itself is the most important thing to you when reading a mystery novel, then you might be disappointed in Sallis's rich work.

I found this book to be even more enjoyable than the first. Not only because now I'm more familiar with Lew and Sallis's writing style, but also because I'm discovering how meta, self-referencing, and cyclic these novels might be. Here are some examples:

1) Moth starts off with a line that made me flip back to the last paragraph in the first book with a whole new understanding, as well as more questions! Intriguing.

2) There's a part in this novel where Lew discusses a bad review of his third novel called Black Hornet, which foreshadows Sallis's next book, the third in the series, one that wasn't even written for another couple of years!

3) There's also a scene where Lew interacts with an old Cajun colleague who's also a private investigator named Boudleaux. But wait a minute, the main private eye character in Lew's books is a Cajun named Boudleaux! Hmm...Lew's inspiration perhaps?

Discoveries like these make this novel and the potential for the series really fascinating. And obviously means that it's necessary to read the series in order. But even aside from that, Sallis is a lovely writer with a great knack for characterization and for turning a simple mystery into a deeper look at loss, regret, and responsibility. He's gearing up to be one of my favorite authors and I want to tackle all of his work now. And with this book, the Lew Griffin series is gearing up to be an excellent, detailed character piece. While Fly touched on multiple parts of Lew's life, acting like an outline for Lew's entire story, Moth and the subsequent books seem to expand more on each specific period, adding more detailed nuance and texture to a larger existential portrait of a complex man.

"While I never could bring myself to accept Christian notions of sin and atonement, there's definitely something to karma. The things we do pile up on us, weigh us down. Or hold us in place, at the very least."

Product details

  • Audible Audiobook
  • Listening Length 6 hours and 6 minutes
  • Program Type Audiobook
  • Version Unabridged
  • Publisher Blackstone Audio, Inc.
  • Audible.com Release Date November 24, 2008
  • Whispersync for Voice Ready
  • Language English, English
  • ASIN B001M5G772

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Moth A Lew Griffin Mystery (Audible Audio Edition) James Sallis G Valmont Thomas Inc Blackstone Audio Books Reviews


James Sallis is one of my best author finds in a number of years. His work is detective fiction but with a strong sense of mainstream fiction thrown into the mix.

The main character is a black man by the name of Lew Griffin. Lew is about 50, a recovering alcoholic, part-time private eye, part-time university lecturer and a man with a past that he revisits throughout the book.

Griffin is tasked with finding the long-lost daughter of a deceased lover, the search takes him to the country where he encounters an assorted cast of characters that make this book very enjoyable.

The author gives us a close look at Lew Griffin and we get to try and understand his motivations and history. There is a fair bit of the Easy Rawlins series by Walter Mosley as well as the books of James Lee Burke in Moth but that is understandable when you have a black lead and the book is set in Louisiana.

Might not call this book a 5 star classic but it is more than worth a read and you will probably search out more James Sallis books after this.
Sallis is a great writer. Deep, subtle, great dialog, New Orleans is a character in the story, brilliantly evokes the life of a black man in a white world.
Very good, but not his best.
Yes, James Sallis seems to have gotten it right. This detective story featuring private eye, Lew Griffin, presents more than your typical follow-the-trail-of-clues but rather it offers social commentary on the state of America (without being didactic), depth of character, as well as insights into how characters perceive themselves and the worlds in which they live.

Ironically, Sallis is described as a white author, and his protagonist is African American. As an African American myself who has read Walter Mosely, I have to say that Sallis' writing is more meaty.

Kudos to Sallis! I've already started collecting the rest of the books in this series.
James Sallis takes you to New Orleans, away from the tourist scene, into the projects, His descriptions of the lush vegetation, banana trees, squirrels, thunderstorms, are pure poetry. Lew Griffin is a very educated former private detective who is now teaching the Modern French Novel, so the book includes quotes from Camus as well as a love story. I don't like retelling a plot but James Sallis is now #1 on my !
I ordered Black Hornet and Moth after reading Cypress Grove and Drive. What I didn't realize at the time was that I would be reading bookends of the career of Lew Griffin, an accidental private eye fumbling foward into maturity without an immediate need to know why doing what seems right is improbably its own reward.

And the writing. This is the reward. There is the plot. There are the characters. And there are the sentences.

This book is about Lew Griffen taking stock and making sense of what took him from the Black Hornet to 50 as an adjunct professor in French literature who still finds himself the moth drawn to the flame.

The man understands how to break a jaw, remembers the difference between drinking and drinking, mixes in the difference between French and Amaerican fiction, and, finally accepts that being alone is neither noble nor romantic, although ineveitable, all while not resorting to a single cliche or allowing tedium to cause a page to be turned.
While the first book in James Sallis's Lew Griffin series, The Long-Legged Fly, was essentially a compilation of stories during different decades in Lew's life, the second, Moth, focuses on the time immediately following the events at the end of the 1990 section of that first book (literally picking up right where the last line in Fly left off). Lew has realized that he's too old to be running the streets now and has quit as a private detective and is now a successful mystery author and college French instructor. After a close friend passes, he feels a responsibility to track down her runaway estranged daughter. But if the investigation itself is the most important thing to you when reading a mystery novel, then you might be disappointed in Sallis's rich work.

I found this book to be even more enjoyable than the first. Not only because now I'm more familiar with Lew and Sallis's writing style, but also because I'm discovering how meta, self-referencing, and cyclic these novels might be. Here are some examples

1) Moth starts off with a line that made me flip back to the last paragraph in the first book with a whole new understanding, as well as more questions! Intriguing.

2) There's a part in this novel where Lew discusses a bad review of his third novel called Black Hornet, which foreshadows Sallis's next book, the third in the series, one that wasn't even written for another couple of years!

3) There's also a scene where Lew interacts with an old Cajun colleague who's also a private investigator named Boudleaux. But wait a minute, the main private eye character in Lew's books is a Cajun named Boudleaux! Hmm...Lew's inspiration perhaps?

Discoveries like these make this novel and the potential for the series really fascinating. And obviously means that it's necessary to read the series in order. But even aside from that, Sallis is a lovely writer with a great knack for characterization and for turning a simple mystery into a deeper look at loss, regret, and responsibility. He's gearing up to be one of my favorite authors and I want to tackle all of his work now. And with this book, the Lew Griffin series is gearing up to be an excellent, detailed character piece. While Fly touched on multiple parts of Lew's life, acting like an outline for Lew's entire story, Moth and the subsequent books seem to expand more on each specific period, adding more detailed nuance and texture to a larger existential portrait of a complex man.

"While I never could bring myself to accept Christian notions of sin and atonement, there's definitely something to karma. The things we do pile up on us, weigh us down. Or hold us in place, at the very least."
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